June 8th, 2009

Princess

Although I love poetic language — the language of the abstract, the unspoken, of simile and metaphor — I don’t often try my hand at poetry. But one day as I entered a wooded glade, the poetic muse struck. I sat on a bench, took out my pencil and paper, and let that rare muse wander as it pleased. The result was a poem that speaks to my past, the idyllic years spent in England when I was four and five years old. So, for better or worse, here it is:

PRINCESS

by Michele Torrey

Flower boxes
bolstered the broken egos
of the cottage windows
spilling with pansies
geraniums
begonia
and lobelia
looking like a child undecided
upon which toy to carry
and so gathering them all.
The old gate
standing guard on the front path
complained and whined
when I perched and swung
adding to the cacophony
of barnyard cats who
through mutual consensus
agreed Mum’s dustbin slop
was the best around.

“Listen for kittens”
my brother whispered
co-conspirator in saving
the abandoned felines.
Breathless
we stood in the grassy field
grain licking our thighs
tuning the drums in our delicate ears
to beat to the mewings of kittens.
Upon discovery of such warm
squirming creatures
we gingerly scooped them up
and ran to find Mum
as she squeezed out hot
white linens
into the bowels of the kitchen sink.
Bubbles bobbed
before my eyes
creating rainbow worlds
of iridescent folk
destined to live furiously
before the big bang.

“Mummy – look! Kittens!”
And into a big box
behind the kitchen stove they would go
nestled into the sour smell
of a never-washed horse blanket.

“It’s the warmest place we have”
Her big hands
reddened
parched
caressed the furry heads.
“Run along now, there’s work to be done”
She brushed us into the barnyard
as though sweeping off the scrubbed
splintered planks.

Heads wrapped in shirts
neck holes tightened
around our foreheads
headdresses in place
we metamorphosed
into Indians.
I,
The Princess.
On the painted warpath we charged
raiding the chicken coop to kidnap rotten eggs
splashing their brains against brick walls
escaping with fingers pinching our noses
shadow of the ghastly scent chasing us
with its sulphur-yellow
tomahawk.

June 4th, 2009

WICKED By Gregory Maguire

Wicked: The Life and Times of the Wicked Witch of the West Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire



My review


rating: 3 of 5 stars
There was much in Gregory Maguire’s novel, WICKED, that tickled my fancy. Elphaba, the main character more commonly known as “The Wicked Witch of the West” in the Wizard of Oz, sheds her uni-dimensional bad girl image for a more likable and complex one, complete with wounded childhood, lamentable green skin, and a tenderness toward animals. Her childhood days are a hoot (her first word as a baby was “horrors”); her days in college illuminating and self-fulfilling. But alas, as Elphaba’s character begins to tread the slippery slope toward her witchy future, her ethical slide toward evil wasn’t ultimately convincing or successful. So when Dorothy and gang finally do arrive (at the end of the book), it feels more like a confused afterthought rather than a knife-edged climax. Faults aside, WICKED is worth the read. Maguire’s use of language is clever, insightful, and funny, his skill with dialogue is to die for, and Elphaba remains a charming character worth remembering.


View all my reviews.

May 29th, 2009

Doyle & Fossey Are Back!

CASE OF THE GASPING GARBAGE I’m often asked about my DOYLE & FOSSEY: SCIENCE DETECTIVES series. Kids love them. Parents love them. Teachers love them. But, until now, only book one was available in paperback (which, sadly, very sadly, went out of print).

I’m tickled to announce that — woo-hoo! — the entire series of DOYLE & FOSSEY: SCIENCE DETECTIVES is being released in paperback by Sterling Publishing. THE CASE OF THE GASPING GARBAGE and THE CASE OF THE MOSSY LAKE MONSTER will be released on June 2 (that’s next week!), while THE CASE OF THE GRAVEYARD GHOST and THE CASE OF THE BARFY BIRTHDAY will be released on September 1.

Mossy Lake - New Cover

My fellow scientists, these are not merely reprints. These are new improved editions, with new colorful covers. Trust me on this one. I’m soooo excited!

And in case those four books aren’t enough to keep you happily experimenting, THE CASE OF THE CROOKED CARNIVAL is with the illustrator right now and will be coming out next Spring. I’m currently writing THE CASE OF THE CREEPY CAMPOUT, which is due to be released in Fall 2010. So, tons of DOYLE & FOSSEY stuff is coming your way, guaranteed to keep all you young scientists up to your ears in bubbling test tubes and baffling mysteries!


May 20th, 2009

Ten Ways to Make Your Editor Love You

1. Be personable, yet professional – It’s a fine line. If you met face-to-face with your editor today, you’d probably have lunch, coffee and dessert, laugh, talk shop, and then leave feeling like you’ve discovered the secrets of levitation and everlasting bliss. But remember you are also in a professional relationship: you have deadlines to deal with, differences of opinion regarding character motivation, a new contract to negotiate. . . . It is important that you keep your relationship on a professional level. Don’t be a contractual automaton, but don’t be a fawning groupie either. Treat your editor with friendly respect and she will return the favor.

2. Honor your commitments — Whether it’s a manuscript due, a rewrite, copyedit, or galleys, turn it in on time. Your editor will love it if he knows he can count on you to finish your projects in a timely manner. If you truly can’t make a deadline, contact your editor and renegotiate the deadline before it comes and goes. Promptness also applies to communications. Answer your phone messages and emails from your editor as soon as possible.

3. Be thorough – You’re up to your eyeballs finishing book number four, due next month. Meanwhile, the copyedits for book three arrive in the mail with a letter from your editor asking if you could get it back to him in a week. While it might be tempting just to skim through the copyedits, don’t. You’re a professional, remember, and professionals only produce work that is worthy of their rank. Make sure you give each project your full attention with the thoroughness and thought it deserves. Again, if you truly can’t complete it on time, discuss other options with your editor as soon as possible.

4. Resist the urge to give excuses – Your dog dies. The baby has diaper rash. You just got back from the Bahamas. Your muse is dry as stale biscuits. You were in a fender bender and hurt your pinkie and it wasn’t your fault. . . . Okay, enough already. Giving excuses can be habit forming. They can make you sound unprofessional. Instead save your excuses for when you really need them (such as your mother dying). And since you rarely, if ever, give excuses, your editor will completely understand.

5. Don’t pester – Your editor’s had a long day. Just when she thinks she’s on her way out the door, the phone rings. It’s you. If she could shoot daggers through the phone, she would. It’s the third time you’ve called this week asking where the copyedits are and whether there’s been a decision yet on book number two. Earth to author: There won’t be a book number two if you don’t cut your editor some slack. Phoning your editor is fine, but only if there is a real reason to call. (Sorry, nagging doesn’t count as a real reason). When you do call, keep it friendly and conversational, yet to the point.

6. Realize editors are people too — Their dogs die. Their babies get diaper rash. They take trips. Honeymoons. They have hopes and dreams and someday will bounce grandchildren on their knees. They do not work for you. Get this out of your head.

7. Listen to your editor – Probably just a coincidence, but your editor actually knows a thing or two. So when your editor recommends doing X and Y to your beloved holier-than-holy manuscript, instead of screaming, crying, cursing, picking up the phone and saying God knows what, or zipping off a quickie your-wrong-and-I’m-right email, try listening. Hear what your editor is saying. Chances are, they’re right.

8. Share your opinions – Listening to your editor does not mean that you forsake yourself and your art. You are a writer for a reason. There was a story inside of you that begged telling. You were the one who wrote that particular story, with your unique insight and voice. While it is essential that you listen to your editor, at the same time do not deafen your ears to your own creative power. If something feels wrong, off balance, say so. Professionally, of course. And if you’ve been listening to your editor all along, when the time comes for you to share your opinion or even to insist upon your way, your editor will listen to you. After all, she’s a professional too.

9. Encourage your editor – This editor-writer relationship thing isn’t a one-way street. It’s not just about the editor gushing about how wonderful you are, it’s also about you bolstering your editor, giving him encouragement in what is a very challenging profession. (After all, he’s working hard on your projects and has cheered you on so many times.) So take opportunities to tell your editor how much you appreciate him. He’s fantastic. He’s one-in-a-million. If editors were cheeses, he’d be Brie . . .

10. Enjoy your journey – Hey, isn’t that what it’s all about? If you’re not enjoying yourself and your career, then you’d better rethink this whole writing thing. Editors love to work with writers who truly enjoy what they do. It becomes a shared joy. So enjoy your journey. Everyone will benefit.

May 15th, 2009

Booksigning Sat, May 16

Hope you can join me at one of my booksignings on Saturday, May 16 (yes, that’s tomorrow).

1:30-2:15 PM: Mockingbird Books, 7220 Woodlawn Ave NE, Seattle, WA, (206) 518-5886.

4:00-5:00 PM: Orca Books, 509 4th Ave E, Olympia, WA, (360) 352-0123

It looks like it will be another gorgeous day here in the Pacific Northwest, and I’d love to see you there!